Synopsis
António Palolo's first films playfully recombine body parts cut out from magazines that Palolo placed in motion with geometrical shapes. These first engagements with the moving image are in a dialogue with Pop, Dada and Surrealism. Recurrent circles appear throughout the films, echoing Marcel Duchamp’s Anemic Cinema (1926).
Details
- António Palolo
- January 1, 1969
- Released
- Portugal
- 3m
Where to watch
No known streaming options in United States.
