Vittorio Storaro
- Camera
- June 24, 1940 · Rome, Lazio, Italy
Biography
Vittorio Storaro, A.S.C., A.I.C. (born 24 June 1940) is an Italian cinematographer widely recognized as one of the best and most influential in Cinema history, for his work on numerous classic films including The Conformist, Apocalypse Now, and The Last Emperor. In the course of over fifty years, he has collaborated with directors such as Bernardo Bertolucci, Francis Ford Coppola, Warren Beatty, Woody Allen and Carlos Saura. He has received three Academy Awards for Best Cinematography for the films Apocalypse Now (1979), Reds (1981), and The Last Emperor (1987), and is one of three living persons who has won the award three times, the others being Robert Richardson and Emmanuel Lubezki. Description above from the Wikipedia article Vittorio Storaro, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Filmography
- Test footage filmed on the set of Francis Ford Coppola’s One from the Heart · vittorio storaro
- Quelli che il cinema · Self
- In Between Stars and Scars: Masters of Cinema · Self
- Coup de chance · Cinematography
- Film: The Living Record of Our Memory · Self
- The King of All the World · Cinematography
- Kreka: Dreamcatcher · Self
- Rifkin's Festival · Cinematography
- A Rainy Day in New York · Cinematography
- A Rose in Winter · Cinematography
- Stanotte a Pompei · Ospite
- Wonder Wheel · Cinematography
- Close Encounters with Vilmos Zsigmond · Self
- Café Society · Cinematography
- Metti, una sera a cena con Peppino · Self
- Muhammad: The Messenger of God · Cinematography
- Parfums d'Alger · Cinematography
- Marlon Brando: An Actor Named Desire · Self
- Red Chairs - Parma and the Cinema · Self
- Side by Side · Self
- Flamenco Flamenco · Cinematography
- L'imbroglio nel lenzuolo · Cinematography
- I, Don Giovanni · Cinematography
- No Subtitles Necessary: Laszlo & Vilmos · Self
- Schrader's Exorcism · Self
- La traviata in Paris · Cinematography
- Caravaggio · Camera Operator
- Witness to 'Reds' · Self
- All the Invisible Children · Cinematography
- Giornata Nera
- Dominion: Prequel to The Exorcist · Cinematography
- Behind the scenes: Last Tango in Paris · Self
- Exorcist: The Beginning · Cinematography
- Leçon de Cinéma · Self
- Zapata: The dream of a hero · Cinematography
- Un film et son époque · Self
- Frank Herbert's Dune · Cinematography
- Light Keeps Me Company · Self
- Picking Up the Pieces · Cinematography
- Mirka · Cinematography
- Goya in Bordeaux · Cinematography
- Glorious Technicolor · Self
- Tango · Cinematography
- Bulworth · Cinematography
- Taxi · Cinematography
- Little Buddha · Cinematography
- Visions of Light · Self
- Writing with Light: Vittorio Storaro · Self
- Hearts of Darkness: A Filmmaker's Apocalypse · Self
- The Sheltering Sky · Cinematography
- Dick Tracy · Cinematography
- New York Stories · Cinematography
- Tucker: The Man and His Dream · Cinematography
- The Last Emperor · Cinematography
- Ishtar · Cinematography
- The Making of Captain EO · Self
- Peter the Great · Cinematography
- Ladyhawke · Cinematography
- Wagner · Cinematography
- Arlecchino · Cinematography
- The Making of 'One from the Heart' · Self
- One from the Heart · Cinematography
- Reds · Cinematography
- An All Round Maid · Cinematographer (uncredited)
- Luna · Cinematography
- Apocalypse Now · TV Photographer (uncredited), Cinematography
- Agatha · Cinematography
- 1900 · Cinematography
- Submission · Cinematography
- ABCinema · Self
- The Frenzy of Orlando · Cinematography
- Footprints on the Moon · Cinematography
- Les Rendez-vous du dimanche · Self
- Identikit · Cinematography
- Giordano Bruno · Cinematography
- Brothers Blue · Cinematography
- Malicious · Cinematography
- Last Tango in Paris · Cinematography
- Body of Love · Cinematography
- Eneide · Cinematography