Eric Alan Edwards
- Camera
- August 10, 1953 · Portland, Oregon, USA
Biography
Eric Alan Edwards (born August 10, 1953) is an American cinematographer. He has worked on more than fifty narrative projects, including cult favorites like Gus Van Sant’s My Own Private Idaho and Even Cowgirls Get the Blues, period biopics like Lovelace, and comedies like Knocked Up.
Known for
Filmography
- Pushing Past the Bad · Cinematography
- Tall Girl · Cinematography
- Armor del Amor · Cinematography
- Fist Fight · Cinematography
- Carmen · Cinematography
- The Hollars · Cinematography
- Dirty Grandpa · Cinematography
- Welcome to Me · Cinematography
- Bosch · Cinematography
- The Professor · Cinematography
- Delivery Man · Cinematography
- Life of Crime · Cinematography
- Lovelace · Cinematography
- Five · Cinematography
- The Change-Up · Cinematography
- Virginia · Cinematography
- The Road · Camera Operator
- Couples Retreat · Cinematography
- Love Happens · Cinematography
- Winged Creatures · Cinematography
- Management · Cinematography
- To Each His Own Cinema · Cinematography
- Knocked Up · Cinematography
- The Break-Up · Cinematography
- Best of Chris Isaak · Cinematography
- First Snow · Cinematography
- The Morning After · Cinematography
- The Making of ‘My Own Private Idaho’ · Self
- The Heart Is Deceitful Above All Things · Cinematography
- Elephant · Additional Photography
- How to Deal · Cinematography
- Crossroads · Cinematography
- The Slaughter Rule · Cinematography
- On the Edge · Cinematography
- Amy & Isabelle · Cinematography
- Sarah McLachlan: Mirrorball · Cinematography
- The Debtors · Cinematography
- Another Day in Paradise · Cinematography
- Clay Pigeons · Cinematography
- Cop Land · Cinematography
- Flirting with Disaster · Cinematography
- To Die For · Cinematography
- Kids · Cinematography
- Even Cowgirls Get the Blues · Cinematography
- The Garden of Eden · Cinematography
- Gift · Cinematography
- A Matter of Degrees · Additional Camera
- My Own Private Idaho · Additional Still Photographer, Cinematography
- Love at Large · Additional Camera
- Drugstore Cowboy · Second Unit Director of Photography
- Last Night at the Alamo · Charlie, Still Photographer
- American Taboo · Cinematography
- Paydirt · Cinematography
- Property · Cinematography