Robert D. Yeoman
- Camera
- March 10, 1951 · Philadelphia, Pennsylvania, USA
Biography
Robert David Yeoman, ASC (born March 10, 1951) is an American cinematographer, best known for his collaborations with directors Wes Anderson and Paul Feig. He was nominated for an Academy Award and a BAFTA Award for The Grand Budapest Hotel (2014), and has won numerous other awards including an Independent Spirit Award.
Known for
Filmography
- Office Romance · Cinematography
- Revelations: Making Dogma · Self
- The Wonderful Story of Henry Sugar and Three More · Cinematography
- Poison · Cinematography
- The Rat Catcher · Cinematography
- The Wonderful Story of Henry Sugar · Cinematography
- Asteroid City · Cinematography
- The French Dispatch of the Liberty, Kansas Evening Sun · Cinematography
- Mamma Mia! Here We Go Again · Cinematography
- Sky Ladder: The Art of Cai Guo-Qiang · Cinematography
- Ghostbusters · Cinematography
- Exploring the Set of 'Moonrise Kingdom' · Self / Director of Photography
- Love & Mercy · Cinematography
- Spy · Cinematography
- The Grand Budapest Hotel · Cinematography
- The Heat · Cinematography
- Moonrise Kingdom · Cinematography
- Bridesmaids · Cinematography
- Get Him to the Greek · Cinematography
- Whip It · Cinematography
- The Making of 'Bottle Rocket' · Self
- Yes Man · Cinematography
- A Matador's Mistress · Cinematography
- Martian Child · Cinematography
- Hotel Chevalier · Cinematography
- The Darjeeling Limited · Cinematography
- The Squid and the Whale · Cinematography
- Red Eye · Cinematography
- This Is an Adventure · Self
- Matthew Gray Gubler's Life Aquatic Intern Journal · Self
- On the Set: 'The Life Aquatic with Steve Zissou' · Self
- Lemony Snicket's A Series of Unfortunate Events · Additional Director of Photography
- The Life Aquatic with Steve Zissou · Cinematography
- Secondhand Lions · Additional Photography
- With the Filmmaker: Wes Anderson · Self
- Double Whammy · Cinematography
- The Royal Tenenbaums · Cinematography
- CQ · Cinematography
- Beautiful · Cinematography
- The Making of 'Rushmore' · Self
- Down to You · Cinematography
- Dogma · Cinematography
- Rushmore · Cinematography
- Permanent Midnight · Cinematography
- The Pentagon Wars · Cinematography
- The Rainmaker · Second Unit Director of Photography
- Dog Watch · Cinematography
- White Lies · Cinematography
- The Substance of Fire · Cinematography
- Bottle Rocket · Cinematography
- Coldblooded · Cinematography
- Somebody to Love · Cinematography
- The Paint Job · Cinematography
- Double Deception · Cinematography
- Past Midnight · Cinematography
- The Linguini Incident · Cinematography
- Too Much Sun · Cinematography
- The Wizard · Cinematography
- Drugstore Cowboy · Cinematography
- Cold Feet · Additional Photography
- Rented Lips · Cinematography
- Dead Heat · Cinematography
- Johnny Be Good · Cinematography
- Rampage · Cinematography
- Playboy: Bedtime Stories · Cinematography
- To Live and Die in L.A. · Second Unit Director of Photography, Camera Operator
- Booming · Cinematography
- The Collaboration · Cinematography