José Luis Alcaine
- Camera
- December 26, 1938 · Tangier, Morocco
Biography
José Luis Alcaine Escaño (born 26 December 1938) is a Spanish cinematographer. Educated in Tangier, he was the first cinematographer to use a fluorescent tube as key lighting in the 1970s. He has worked on films such as Belle Époque (Academy Award for Best Foreign Language Film, 1993), Two Much (1995), Blast from the Past (1999), and The Skin I Live In (2011). He won the European Film Award for Best Cinematographer for Volver, and has received five Goya Awards for best cinematography. In February 2019, he received the Medalla de Oro al Mérito en las Bellas Artes. Description above from the Wikipedia article José Luis Alcaine, licensed under CC-BY-SA, full list of contributors on Wikipedia.
Known for
Filmography
- The Delights of the Garden · Cinematography
- Pedro x Javis · Self
- Exorcismo: The Transgressive Legacy of Clasificada “S” · Self
- Speak Sunlight · Cinematography
- Strange Way of Life · Cinematography
- Cuidado con lo que deseas · Cinematography
- Parallel Mothers · Cinematography
- Glow and Darkness · Cinematography
- So My Grandma's a Lesbian! · Cinematography
- The Human Voice · Cinematography
- Domino · Cinematography
- Pain and Glory · Cinematography
- Everybody Knows · Cinematography
- The Queen of Spain · Cinematography
- Wild Oats · Cinematography
- Finding Altamira · Cinematography
- Untied! Reflections on Tie Me Up! Tie Me Down! · Self
- Aragón rodado · Self
- I'm So Excited! · Cinematography
- Passion · Cinematography
- La banda Picasso · Cinematography
- The Skin I Live In · Cinematography
- My Life in Ruins · Cinematography
- Martes de Carnaval · Cinematography
- Lolita's Club · Cinematography
- The 13 Roses · Cinematography
- Theresa: The Body of Christ · Cinematography
- Blame · Cinematography
- The Maidens' Conspiracy · Cinematography
- Volver · Cinematography
- Vida y color · Cinematography
- The Wretched Life of Juanita Narboni · Cinematography
- Roma · Cinematography
- The Whore and the Whale · Cinematography
- Bad Education · Cinematography
- South from Granada · Cinematography
- Ruy Blas · Cinematography
- Nobody's Life · Cinematography
- The Dancer Upstairs · Cinematography
- Antonio, a Boy in Lisbon · Cinematography
- The Lost Lover · Cinematography
- Blast from the Past · Cinematography
- Gunslinger's Revenge · Cinematography
- Don Juan · Cinematography
- My Brother's Gun · Cinematography
- Más allá del jardín · Cinematography
- Freedomfighters · Cinematography
- Confidencias · Cinematography
- Two Much · Cinematography
- Turkish Passion · Cinematography
- The Tit and the Moon · Cinematography
- Golden Balls · Cinematography
- Intruso · Cinematography
- Cuentos de Borges · Cinematography
- Belle Époque · Cinematography
- El sur · Cinematography
- Jamon Jamon · Cinematography
- Lovers: A True Story · Cinematography
- Dancing Machine · Cinematography
- Ay, Carmela! · Cinematography
- Tie Me Up! Tie Me Down! · Cinematography
- Twisted Obsession · Cinematography
- The Sea and the Weather · Cinematography
- Misadventure · Cinematography
- El Lute II: Tomorrow I'll Be Free · Cinematography
- Women on the Verge of a Nervous Breakdown · Cinematography
- Lute: Forge On or Die · Cinematography
- Casanova · Cinematography
- Voyage to Nowhere · Cinematography
- Half of Heaven · Cinematography
- Hay que deshacer la casa · Cinematography
- Mambru Went to War · Cinematography
- Star Knight · Cinematography
- The Court of the Pharaoh · Cinematography
- Rustlers' Rhapsody · Cinematography
- La reina del mate · Cinematography
- The Lost Paradise · Cinematography
- Tasio · Cinematography
- Akelarre · Cinematography
- El caso Almería · Cinematography