
Yoram Astrakhan
- Camera
Biography
Yoram Astrakhan is an Israeli cinematographer and director based in Los Angeles, California. He studied at the Hadassah College of Technology photography school in Jerusalem, and holds a Master of Arts degree in Cinematography from the American Film Institute.
Known for
Filmography
- When I Get Home · Extra
- Dear Freddie · Thanks
- Amelia Palmer's First Movie · Thanks
- Dorothy Arzner: Pioneer, Queer, Feminist · Cinematography
- Clint Eastwood: A Cinematic Legacy · Cinematography
- Roland Emmerich: Man on a Mission · Cinematography
- We Met At Midway - Two Survivors Remember · Cinematography
- Ocean's Team 3.0 · Cinematography
- Black Hole Apocalypse · Additional Camera
- Billy Wilder: Nobody's Perfect · Cinematography
- Sully: Sully Sullenberger - The Man Behind the Miracle · Cinematography
- Moment by Moment - Averting Disaster on the Hudson · Cinematography
- Betrayed · Director
- The Making of the Wonderful Wizard of Oz · Cinematography
- The Fugitive: Thrill of the Chase · Cinematography
- Cabaret: The Musical That Changed Musicals · Cinematography
- The Birds: Hitchcock's Monster Movie · Camera Operator
- Casablanca: An Unlikely Classic · Cinematography
- Michael Curtiz: The Greatest Director You Never Heard Of · Cinematography
- Clint Eastwood's West · Cinematography
- Turning Like Clockwork · Cinematography
- The Master's Touch: Hitchcock's Signature Style · Camera Operator
- Pure Cinema: Through the Eyes of Hitchcock · Cinematography
- Breaking Barriers: The Sound of Hitchcock · Cinematography
- Sunlight and Shadow: The Visual Style of 'L.A. Confidential' · Cinematography
- Whatever You Desire: Making 'L.A. Confidential' · Cinematography
- The Long Shadow of Dirty Harry · Cinematography
- A Moral Right: The Politics of Dirty Harry · Cinematography
- The Craft of Dirty Harry · Cinematography
- The Business End: Violence in Cinema · Cinematography
- The Evolution of Clint Eastwood · Cinematography
- An Old Fashioned Love Story: Making 'The Bridges of Madison County' · Cinematography
- Vision of a Future Passed: The Prophecy of 2001 · Cinematography
- The Visions of Stanley Kubrick · Cinematography
- View from the Overlook: Crafting 'The Shining' · Cinematography
- Great Bolshy Yarblockos!: Making 'A Clockwork Orange' · Cinematography
- Standing on the Shoulders of Kubrick: The Legacy of 2001 · Cinematography
- Hollywood Helps the Cause · Cinematography
- The Maltese Falcon: One Magnificent Bird · Cinematography
- Film Noir: Bringing Darkness to Light · Cinematography
- Ben-Hur: The Epic That Changed Cinema · Cinematography
- By Any Means Necessary: The Making of 'Malcolm X' · Cinematography
- Dinocroc · Cinematography
- Russians in the City of Angels · Gaffer
- Slaughter Studios · Second Unit Director of Photography
- Shakedown · Cinematography
- Nantucket · Cinematography
- Second to Die · Gaffer
- The Doorway · Cinematography
- Moving Target · Cinematography
- The Suicide Club · Second Unit Director of Photography
- Net Worth · Cinematography
- Kolobos · Cinematography
- Election · Chief Lighting Technician
- Heaven & the Suicide King · Cinematography
- Plan B · Cinematography
- Inside Out · Dolly Grip, Key Grip











