Raúl Martínez Solares
- Camera
- January 1, 1908 · Mexico City, Mexico
- January 1, 1972
Biography
Raúl Martínez Solares was a Mexican cinematographer (1908-1972). He began his career during the Golden Age of Mexican cinema. His brother was the renowned film director, Gilberto Martínez Solares. He received the Ariel Award in 1957 for best photography for the film Cry of the bewitched (1957).
Known for
Filmography
- Las tarántulas · Writer, Cinematography
- La satánica · Cinematography
- Santo vs. the Killers from Other Worlds · Cinematography
- Nest of Virgins · Cinematography
- The Innocent · Cinematography
- Doña Macabra · Cinematography
- Santo vs. Frankenstein's Daughter · Cinematography
- Cuna de valientes · Cinematography
- Chanoc vs. the Tiger and the Vampire · Writer, Cinematography
- Capulina vs. the Vampires · Cinematography
- Santo in the Vengeance of the Mummy · Cinematography
- The Enemy Blood · Cinematography
- Rosario · Cinematography
- The Wild Season · Cinematography
- Santo vs. the Riders of Terror · Cinematography
- Someone Wants to Kill Us! · Cinematography
- Chanoc en las garras de las fieras · Writer, Cinematography
- El pocho · Cinematography
- The World of the Dead · Cinematography
- Santo vs. Blue Demon in Atlantis · Cinematography
- The World at Their Feet · Camera Operator
- Santo and Blue Demon Against the Monsters · Cinematography
- Click, fotógrafo de modelos · Cinematography
- Blue Demon and the Female Invaders · Cinematography, Writer
- El crepúsculo de un dios · Cinematography
- Shark · Cinematography
- La maestra inolvidable · Cinematography
- Santo in the Treasure of Dracula · Cinematography
- The Vampire and Sex · Cinematography
- Night of the Bloody Apes · Cinematography
- Wrestling Women vs. the Killer Robot · Cinematography
- El día de la boda · Cinematography
- Operación carambola · Cinematography
- Chewing Gum · Cinematography
- The Specter's Road · Cinematography
- Seis días para morir · Cinematography
- Ven a cantar conmigo · Cinematography
- Don Juan 67 · Cinematography
- Detectives o ladrones..? · Cinematography
- Los tres mosqueteros de Dios · Cinematography
- El matrimonio es como el demonio · Cinematography
- Dr. Satan · Cinematography
- The Two Rivals · Cinematography
- The Right to Be Born · Cinematography
- Cuando el diablo sopla · Cinematography
- Dos meseros majaderos · Cinematography
- Fiebre de juventud · Cinematography
- Una mujer sin precio · Cinematography
- Un callejón sin salida · Cinematography
- The Mocking Ghosts · Cinematography
- Adventure at the Center of the Earth · Cinematography
- The She-Wolf · Cinematography
- Lawless Youth · Cinematography, Executive producer
- Face of the Screaming Werewolf · Cinematography
- Neutron Traps the Invisible Killers · Cinematography
- The Crows are Grieving · Cinematography
- La edad de piedra · Cinematography
- La gitana y el charro · Cinematography
- Me llaman el cantaclaro · Cinematography
- Así amaron nuestros padres · Cinematography
- Museum Of Horror · Cinematography
- Los amores de Marieta (los fabulosos 20s) · Cinematography
- The Age of Violence · Cinematography
- Bullfighter for One Day · Cinematography
- Paloma herida · Cinematography
- México de mis recuerdos · Cinematography
- Yo, el mujeriego · Cinematography
- Voy de gallo · Cinematography
- The Invasion of the Vampires · Cinematography
- Shark Hunters · Cinematography
- Tesoro de mentiras · Cinematography
- ¡En peligro de muerte! · Cinematography
- Romance in Puerto Rico · Cinematography
- The Bloody Vampire · Cinematography
- Los secretos del sexo débil · Cinematography
- Sol en llamas · Cinematography
- Jóvenes y rebeldes · Cinematography
- Azahares rojos · Cinematography
- Teresa · Cinematography
- Tres Romeos y una Julieta · Cinematography