Alvaro Mancori
- Camera
- September 15, 1923 · Rome, Italy
- June 24, 2011
Biography
Alvaro Mancori was an Italian cinematographer, director, and producer active from the late 1940s through the 1970s. Born in Rome, he began his career as a camera operator and assistant cinematographer, working on films such as Atto di accusa (1950) and Tragic Return (1952). Mancori established himself as a cinematographer with works like The Violent Patriot (1956) and The Moralist (1959). He also ventured into directing with films such as The Double Bed (1965) and Hercules the Invincible (1964). As a producer, Mancori contributed to several projects, including The Tramplers (1965). His work is characterized by its technical proficiency and adaptability across various genres, including peplum, comedy, and adventure films.
Known for
Filmography
- Lunatics and Lovers · Nanè
- Bastard, Go and Kill · Producer
- Ostia · Producer
- Run, Man, Run · Producer
- The Christmas That Almost Wasn't · Cinematography
- Trap for the Assassin · Producer
- The Tramplers · Cinematography
- Hercules the Avenger · Cinematography
- Espionage in Tangiers · Cinematography
- The Double Bed · Director, Writer
- Amori pericolosi · Cinematography
- Totò versus the Black Pirate · Cinematography
- Hercules the Invincible · Director, Screenplay
- Badmen of the West · Cinematography
- Scandal Nudes · Cinematography
- The Lion of St. Mark · Cinematography
- Blood of the Executioner · Cinematography
- Toto and Cleopatra · Cinematography
- I Am Semiramis · Cinematography
- Divorzio alla siciliana · Cinematography
- Tiger of the Seven Seas · Cinematography
- The Secret Mark of D'Artagnan · Cinematography
- Ulysses Against the Son of Hercules · Cinematography
- Mole Men Against the Son of Hercules · Cinematography
- Goliath and the Vampires · Cinematography
- Sua Eccellenza si fermò a mangiare · Cinematography
- Totò, Peppino and... the Sweet Life · Cinematography
- Little Girls and High Finance · Cinematography
- Le Olimpiadi dei mariti · Cinematography
- Letto a tre piazze · Cinematography
- Toto, Fabrizi and the Young People Today · Cinematography
- Gentlemen Are Born · Cinematography
- I piaceri dello scapolo · Cinematography
- Genitori in blue-jeans · Cinematography
- La cambiale · Cinematography
- Vacations in Majorca · Cinematography
- Sogno di una notte di mezza sbornia · Cinematography
- The Moralist · Cinematography
- Men and Noblemen · Cinematography
- Toto in Madrid · Cinematography
- The Beautiful Legs of Sabrina · Cinematography
- Toto in Paris · Cinematography
- È arrivata la parigina · Cinematography
- El hereje · Cinematography
- Domenica è sempre domenica · Cinematography
- Totò, Vittorio and the Doctor · Cinematography
- Il cocco di mamma · Cinematography
- Guaglione · Cinematography
- The Violent Patriot · Cinematography
- The Wanderers · Cinematography
- Der goldene Falke · Cinematography
- Il campanile d'oro · Cinematography
- Figaro, il barbiere di Siviglia · Cinematography
- Torna piccina mia! · Cinematography
- Napoli terra d'amore · Cinematography
- Mata Hari's Daughter · Second Unit Director of Photography
- Bertoldo, Bertoldino and Cacasenno · Cinematography
- La campana di San Giusto · Cinematography
- Mystery of the Black Jungle · Cinematography
- La prigioniera di Amalfi · Cinematography
- Anna's Sin · Cinematography
- La muta di Portici · Cinematography
- Tragico ritorno · Cinematography
- Salvate mia figlia · Cinematography
- Greetings and sons! · Cinematography
- Tomorrow Is Another Day · Camera Operator
- The Accusation · Cinematography
- Totò Looking for Wife · Camera Operator
- Cenerentola · Camera Operator