Nigel Markham
- Camera
- Newfoundland and Labrador, Canada
Biography
Nigel Markham has lived in Newfoundland for twenty years, where, following a period of work with the CBC as a cameraman, he began to work on his own independent film projects. A number of these films have taken him to Labrador, including Place Of The Boss - Utshimatssits. His directorial credits include the NFB productions, The Last Days Of Okak - an account of the devastating effects of the 1919 influenza epidemic on the Labrador Inuit, which won the Best Documentary award at the 1986 Atlantic Film Festival - and Taking Stock, a look at the history of the decline in the East Coast cod fishery, which won a Best Editing award at the 1994 Atlantic Film Festival.
Known for
Filmography
- Flickers · Cinematography
- Bedlamer · Cinematography
- Skeet · Cinematography
- Miss Campbell: Inuk Teacher · Cinematography
- Hebron Relocation · Cinematography
- Spirit Song Festival · Cinematography
- Nalujuk Night · Cinematography
- Bluefin · Additional Camera
- HAND. LINE. COD. · Additional Camera
- Touch · Cinematography
- Maudie · Camera Operator, Thanks
- Puffin Patrol · Cinematography
- Clipper Gold · Cinematography
- Regret · Cinematography
- Till We Meet Again - Moravian Music in Labrador · Director, Producer
- Just Himself: The Story of Don Jamieson · Cinematography
- Regarding Our Father · Cinematography, Camera Operator
- Buffy · Cinematography
- Cardboard Junction · Cinematography, Camera Operator
- The Strangest Dream · Cinematography
- Down to the Wood · Cinematography
- Diverted · Camera Operator
- Cut from the Same Cloth · Cinematography
- Sweet Pickle · Cinematography
- The Sacred Sundance: The Transfer of a Ceremony · Cinematography
- The One That Got Away · Camera Operator
- To Dublin with Love · Cinematography
- Christopher House: Ahead of the Curve · Cinematography
- To Think like a Composer · Cinematography
- Keeping Up with Cathy Jones · Cinematography
- Heyday! · Additional Camera
- Becoming 13 · Additional Camera
- My Ancestors Were Rogues and Murderers · Cinematography
- Hospital City · Cinematography
- Pleasant Street · Cinematography
- Bloomsday Cabaret · Cinematography
- The Invisible Machine · Cinematography
- The Man Who Studies Murder · Cinematography
- Behind the Red Door · Second Unit Director of Photography
- White Thunder · Cinematography
- Baking Lessons · Cinematography
- Mummers & Masks · Cinematography
- Forever in Our Hearts: Memories of the Hebron Relocation · Director, Writer
- The Shipping News · Camera Loader
- Salvation · Cinematography
- Tommy... A Family Portrait · Director, Cinematography
- My Left Breast · Cinematography
- Violet · Camera Operator
- The Fairy Faith · Cinematography
- Return to Mayalan · Director, Writer
- Okimah · Cinematography
- Rain, Drizzle, and Fog · Cinematography
- Seven Brides for Uncle Sam · Cinematography
- An Untidy Package: Women and the Newfoundland Cod Moratorium · Cinematography
- Eye of the Storm · Director, Writer
- The Elf · First Assistant Camera
- Norway's Lofoten Cod Fishery · Director, Script
- The Barrens Quest · Cinematography
- Taking Stock · Director, Editing
- Thinking Positive · Cinematography
- Subway to Tickle Gut · Cinematography
- Secret Nation · Camera Operator
- Puppets Against Aids - Township to Tundra · Cinematography
- Hunters and Bombers · Director, Cinematography
- Pelts: Politics of the Fur Trade · Director, Writer
- Finding Mary March · Key Grip, First Assistant Camera
- The Adventure of Faustus Bidgood · Additional Camera
- The Last Days of Okak · Director, Editing