Sergey Lando
- Camera
- January 16, 1956 · Rybinsk, USSR (Russia)
Biography
In 1987 he graduated from the Gerasimov Institute of Cinematography as a camera operator. Since 1987, he has worked as a director of photography at Lenfilm, where he shot the films Gisele’s Mania; The Circus Burned Down, The Clowns Are Gone; Backdoor; The Day of the Beast, and others. He has shot a number of documentary films, including Through the Looking-Glass; The Russians Have Left; Farukh and Diana; Three Days and Never Again; Noah; Genius Loci; Ulyana Lopatkina, or Dances on Weekdays and on Holidays; Petersburg Dolls; and others. He has also worked as director and screenwriter of documentary films. He worked as a camera operator for television (for the Kultura channel). Member of the Russian Union of Cinematographers, member of the Russian Guild of Camera Operators; member of Imago, member of the Russian Guild of Non-Narrative Cinema. Professor at the Russian State Insitute of Film and Television since 2001, where he teaches a course in the Cinematography Department for camera operators.
Known for
Filmography
- Klara · Self
- Сергей Астахов, или Механика киноискусства · Director, Writer
- Portrait of the Artist on a Historical Background · Director
- Mr. Skvortsov's Lost Train · Director, Screenplay
- Workshop · Cinematography
- Heavenly Tamper · Director, Camera Operator
- The Last Waltz · Camera Operator
- Evacuation Romance · Cinematography
- Nikolai Gogol's Hand · Camera Operator, Director
- Пробуждение · Cinematography
- Antonina Turned Around · Cinematography
- Burdocks · Camera Operator
- The Inspector General · Camera Operator
- Don't Make Biscuits in a Bad Mood · Cinematography
- My Darling Star · Cinematography
- The Fragile Thing · Cinematography
- The Iron Heel of Oligarchy · Cinematography
- The Circus Burned Down, and the Clowns Have Gone · Cinematography
- Three Days and Never Again · Camera Operator
- Gisele's Mania · Cinematography
- The Russians Are Gone · Cinematography
- The Valley and Its People · Cinematography