Renato Berta
- Camera
- March 2, 1945 · Bellinzona, Ticino, Switzerland
Biography
Renato Berta is a Swiss cinematographer and film director, best known for his collaborations with directors Alain Tanner and Jean-Marie Straub. Trained at the Centro Sperimentale di Cinematografia in Rome, Berta has worked as cinematographer in more than 100 films since 1969. He won a César Award for Best Cinematography for Au revoir les enfants in 1988 and a David di Donatello for Best Cinematography for Noi credevamo in 2011. In 2013, he was awarded the Chevalier of the Ordre des Arts et des Lettres. Source: Article "Renato Berta" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Known for
Filmography
- The Tasters · Cinematography
- The Plough · Cinematography
- Renato Berta, face caméra · Self
- Il Buco · Cinematography
- The King of Laughter · Cinematography
- The Salt of Tears · Cinematography
- France Against the Robots · Cinematography
- People of the Lake · Cinematography
- Strange Birds · Cinematography
- Lover for a Day · Cinematography
- Stalin's Couch · Cinematography
- In the Shadow of Women · Cinematography
- The Old Man of Belem · Cinematography
- Leopardi · Cinematography
- Revoir Hiroshima... · Self
- Dialogue of Shadows · Cinematography
- You, Me and Us · Cinematography
- Asfouri · Cinematography
- Lullaby to my Father · Cinematography
- Gebo and the Shadow · Cinematography
- In Memoriam Daniel Schmid Werner Schroeter · Self
- Un héritier · Cinematography
- L’Inconsolable · Cinematography
- Belleville Tokyo · Cinematography
- O somma luce · Cinematography
- We Believed · Cinematography
- Daniel Schmid: Le Chat Qui Pense · Self
- Les avatars de la mort d’Empédocle
- Joachim Gatti, variation de lumière · Cinematography
- Buried Secrets · Cinematography
- The Witches, Women Among Themselves · Cinematography
- Artemide’s Knee · Cinematography
- Max & Co · Cinematography
- Defense of the Time
- These Encounters of Theirs · Cinematography
- Magic Mirror · Cinematography
- Roger Diamantis or Real Life · Cinematography
- The Last Mitterrand · Cinematography
- Kulturplatz · Self
- A Visit to the Louvre · Cinematography
- Not on the Lips · Cinematography
- Three-Step Dance · Cinematography
- Alila · Cinematography
- The Return of the Prodigal Son · Cinematography
- Humiliated · Cinematography
- Incantati · Cinematography
- Marie-Jo and Her 2 Loves · Cinematography
- The Uncertainty Principle · Cinematography
- Dolando · Cinematography
- Workers, Peasants · Cinematography
- Eden · Cinematography
- Word and Utopia · Cinematography
- Nightcap · Cinematography
- Kippur · Cinematography
- Vive nous! · Cinematography
- Beresina · Cinematography
- Kadosh · Cinematography
- Vanaprastham · Cinematography
- Day After Day · Cinematography
- Inquietude · Cinematography
- Same Old Song · Cinematography
- Marcello Mastroianni: I Remember · Self
- The Silence of Rak · Cinematography
- Voyage to the Beginning of the World · Cinematography
- Party · Cinematography
- The Written Face · Cinematography
- Adultery (A User's Guide) · Cinematography
- Things · Cinematography
- Kazuo Ohno · Cinematography
- La mort de Molière · Cinematography
- Smoking / No Smoking · Cinematography
- Off Season · Cinematography
- Nothing But Lies · Cinematography
- Le film du cinéma suisse · Director
- Uranus · Cinematography
- May Fools · Cinematography
- Twister · Cinematography
- Chimère · Cinematography
- The Innocents · Cinematography
- The Death of Empedocles · Cinematography