Adrian Cooper
- Camera
- Exeter, Devon, England
Known for
Filmography
- Só Não Posso Dizer o Nome · Art Direction
- River of Desire · Art Direction
- Pedro, Between the Devil and the Deep Blue Sea · Art Direction
- O Lodo · Art Direction
- An Eye and a Knife · Production Design
- O Segredo dos Diamantes · Art Direction
- Reminiscências de um Projeto · Self
- Outro Sertão · Camera Operator
- Astro: An Urban Fable in a Magical Rio de Janeiro · Cinematography
- Captains of the Sands · Art Direction
- The Two Deaths of Quincas Wateryell · Art Direction
- O Menino da Porteira · Art Direction
- Baptism of Blood · Art Direction
- Ensaio · Cinematography
- O Coronel e o Lobisomem · Art Direction
- Em Trânsito · Cinematography
- Playing in the Dark · Cinematography
- Up Against Them All · Cinematography
- Desmundo · Art Direction
- Posthumous Memories · Art Direction
- O Povo Brasileiro · Camera Operator
- Denying Brazil · Editing, Cinematography
- Anahy de las Misiones · Cinematography
- The Jew · Art Direction
- 32 – A Guerra Civil · Cinematography
- Ulysses Cidadão · Cinematography
- The Memory Thread · Cinematography
- Kiss 2348/72 · Cinematography
- ABC of a Strike · Associate Producer, Cinematography
- Ôrí · Camera Operator
- O País dos Tenentes · Cinematography
- Sonho Sem Fim · Art Direction
- That Damned Meat · Art Direction
- Em Nome da Segurança Nacional · Camera Operator
- The Long Trip · Cinematography
- Santo and Jesus, Metalworkers · Editing, Cinematography
- Chapeleiros · Director, Cinematography
- Chile: By Reason or By Force · Cinematography
- Linha de Montagem · Additional Photography
- Renovo · Narrador (versão em inglês)
- Tribunal Bertha Lutz · Cinematography
- A Araucária: Memória em Extinção · Cinematography
- 1ª Conclat · Director
- O Sonho Não Acabou · Cinematography, Camera Operator
- Sete Quedas · Cinematography
- Trabalhadores: Presente! · Thanks
- Choque Cultural · Sound
- Libertários · Researcher, Editing
- La Femme au foyer · Cinematography
- The Battle of Chile: Part I · Cinematography