Akira Mimura
- Camera
- January 6, 1901 · Hiroshima, Japan
- December 23, 1985
Known for
Filmography
- Noon Sunday · Cinematography
- Asakusa no kyōkaku · Cinematography
- Hibari the Traveling Performer · Cinematography
- Love School · Cinematography
- Harukanaru haha no kao · Art Direction
- The Sand City in Manchuria · Cinematography
- Police Precinct Part 14 · Cinematography
- Police Precinct Part 13 · Cinematography
- The Tokyo Dame · Cinematography
- A Man's Dark Finger · Cinematography
- Sister with Sister · Cinematography
- The Nameless Man · Cinematography
- Fearless Opposition · Cinematography
- Bull's Eye of Love · Cinematography
- Night Holds a Truth · Cinematography
- The Shadow Daughter · Cinematography
- Street of Ronin · Cinematography
- The Mandarin Room · Cinematography
- The Life of a Uniquely Interesting Man: Katsura Harudanji · Cinematography
- Kin Toyama-san's Detective Story: Man in the Shadows · Cinematography
- Morishige, where are you going? · Cinematography
- While the Demon Steps Out · Cinematography
- Love at Forty · Cinematography
- Detour to Love · Cinematography
- Casebook of Dandy Sashichi: Blind Wolf · Cinematography
- Tomorrow's Happiness · Cinematography
- Vanished Enlisted Man · Director
- Hirate Miki the Swordman · Cinematography
- Autumn Interlude · Cinematography
- The Second Kiss · Cinematography
- Night in Hawaii · Cinematography
- Forever My Love · Cinematography
- Lil's Return from Shanghai · Cinematography
- Tsuki yori no haha · Cinematography
- Ginza Cosmetics · Cinematography
- When We Came Back · Cinematography
- Escape at Dawn · Cinematography
- Ginza Cancan Girls · Cinematography
- Good-Bye! · Cinematography
- Kekkon Sanjûshi · Cinematography
- 365 Nights · Cinematography
- Kuro-uma no danshichi · Cinematography
- A Thousand and One Nights with Toho · Cinematography
- Colonel Kato's Falcon Squadron · Cinematography
- Sanshiro Sugata · Cinematography
- The War at Sea from Hawaii to Malaya · Cinematography
- Shanghai Moon · Cinematography
- Horse · Cinematography
- The Monkey King · Cinematography
- The Snake Princess · Cinematography
- Hikari to kage (Zenpen) · Cinematography
- Hikari to kage (Kōhen) · Cinematography
- China Night · Cinematography
- Singing Lovebirds · Cinematography
- Easy Alley · Cinematography
- Composition Class · Cinematography
- Subterranean Heat · Cinematography
- The Beautiful Hawk · Cinematography
- Humanity and Paper Balloons · Cinematography
- Young Lady · Cinematography
- Japanese Women's Textbook · Cinematography
- Drifting · Cinematography