Vilmos Zsigmond
- Camera
- June 16, 1930 · Szeged, Hungary
- January 1, 2016
Biography
Vilmos Zsigmond (June 16, 1930 - January 1, 2016) was a Hungarian-American cinematographer. His work in cinematography helped shape the look of American movies in the 1970s, making him one of the leading figures in the American New Wave movement. Zsigmond worked frequently with many leading American directors, such as Robert Altman, Steven Spielberg, Brian De Palma, Michael Cimino and Woody Allen.
Known for
Filmography
- Blood & Flesh: The Reel Life & Ghastly Death of Al Adamson
- Spielberg · Self
- Close Encounters with Vilmos Zsigmond · Self
- Six Dance Lessons in Six Weeks · Cinematography
- God the Father · Cinematography
- Compulsion · Cinematography
- Black and White in Color: Vilmos Zsigmond on 'Blow Out' · Self
- Side by Side · Self
- Woody Allen: A Documentary · Self
- The Maiden Danced to Death · Cinematography
- You Will Meet a Tall Dark Stranger · Cinematography
- A Cinematic Life: The Art and Influence of Conrad Hall · Self
- Louis · Hungarian Photographer, Cinematography
- No Subtitles Necessary: Laszlo & Vilmos · Self
- Torn from the Flag · Executive producer, Cinematography
- Cassandra's Dream · Cinematography
- The Black Dahlia · Cinematography
- Who Needs Sleep? · Self
- Surrender, Dorothy · Cinematography
- Melinda and Melinda · Cinematography
- Final Cut: The Making and Unmaking of Heaven's Gate · Self
- Z Channel: A Magnificent Obsession · Self
- Jersey Girl · Cinematography
- Timeline · Second Unit Director of Photography
- Imagining Images · Self
- Who Killed 'Winter Kills'? · Self
- Ban Bánk · Cinematography
- Easy Riders, Raging Bulls: How the Sex 'n' Drugs 'n' Rock 'n' Roll Generation Saved Hollywood · Self
- Return of the "Hired Hand" · Self
- Vilmos Zsigmond Flashes 'The Long Goodbye' · Self
- Character Building: Inside 'Life As a House' · Self
- Life as a House · Cinematography
- The Mists of Avalon · Cinematography
- 'Obsession' Revisited · Self
- The Making of 'Close Encounters of the Third Kind' · Self
- The Body · Cinematography
- Light Keeps Me Company · Self, Cinematography
- Altman on His Own Terms · Self
- The Argument · Cinematography
- Playing by Heart · Cinematography
- Big Guns Talk: The Story of the Western · Self
- The Ghost and the Darkness · Cinematography
- Assassins · Cinematography
- The Crossing Guard · Cinematography
- Maverick · Albert Bierstadt, Cinematography
- Intersection · Cinematography
- Sliver · Cinematography
- Stalin · Cinematography
- Visions of Light · Self
- The Long Shadow · Director
- The Bonfire of the Vanities · Cinematography
- The Two Jakes · Cinematography
- Fat Man and Little Boy · Cinematography
- Journey to Spirit Island · Cinematography
- The Witches of Eastwick · Cinematography
- Real Genius · Cinematography
- The River · Cinematography
- No Small Affair · Cinematography
- Table for Five · Cinematography
- Jinxed! · Cinematography
- The Border · Additional Photography
- Blow Out · Cinematography
- Heaven's Gate · Cinematography
- The Rose · Cinematography
- Flesh & Blood · Cinematography
- Flesh & Blood · Cinematography
- Winter Kills · Cinematography
- The Deer Hunter · Cinematography
- The Last Waltz · Additional Director of Photography
- Close Encounters of the Third Kind · Cinematography
- Obsession · Cinematography
- Death Riders · Cinematography
- Sweet Revenge · Cinematography
- Iron and Horse · Cinematography
- Mahogany · Additional Photography
- Funny Lady · Additional Photography
- The Girl from Petrovka · Cinematography
- The Sugarland Express · Cinematography
- Cinderella Liberty · Cinematography
- Scarecrow · Cinematography