Arthur Marvin
- Camera
- May 1, 1859 · Warners, New York, USA
- January 18, 1911
Known for
Filmography
- After the Ball · Cinematography
- Love in Quarantine · Cinematography
- The Troublesome Baby · Cinematography
- A Gold Necklace · Cinematography
- When We Were in Our 'Teens · Cinematography
- A Child's Impulse · Cinematography
- May and December · Cinematography
- Never Again · Cinematography
- A Child of the Ghetto · Cinematography
- The Two Brothers · Cinematography
- Love Among the Roses · Cinematography
- Faithful · Cinematography
- The Newlyweds · Cinematography
- The Honor of His Family · Cinematography
- All on Account of the Milk · Cinematography
- The Rocky Road · Cinematography
- To Save Her Soul · Cinematography
- Pippa Passes · Cinematography
- 1776, or The Hessian Renegades · Cinematography
- Pranks · Cinematography
- Mr. Jones' Burglar · Cinematography
- The Renunciation · Cinematography
- The Necklace · Cinematography
- The Way of Man · Cinematography
- The Peachbasket Hat · Cinematography
- The Faded Lilies · Cinematography
- The Son's Return · Cinematography
- The Lonely Villa · Cinematography
- His Duty · Cinematography
- The Cricket on the Hearth · Cinematography
- Resurrection · Cinematography
- The Suicide Club · Cinematography
- Lucky Jim · Cinematography
- Confidence · Cinematography
- The Voice of the Violin · Cinematography
- The Lure of the Gown · Cinematography
- The Salvation Army Lass · Cinematography
- At the Altar · Cinematography
- The Golden Louis · Cinematography
- The Politician's Love Story · Cinematography
- The Girls and Daddy · Cinematography
- The Cord of Life · Cinematography
- Love Finds a Way · Cinematography
- One Touch of Nature · Cinematography
- The Helping Hand · Cinematography
- An Awful Moment · Cinematography
- The Feud and the Turkey · Cinematography
- The Valet's Wife · Cinematography
- The Guerrilla · Cinematography
- The Taming of the Shrew · Cinematography
- After Many Years · Cinematography
- The Call of the Wild · Cinematography
- Where the Breakers Roar · Cinematography
- Betrayed by a Handprint · Cinematography
- Balked at the Altar · Cinematography
- The Fatal Hour · Cinematography
- A Calamitous Elopement · Cinematography
- Deceived Slumming Party · Cinematography
- The Black Viper · Cinematography
- The Adventures of Dollie · Cinematography
- Over the Hills to the Poor House · Cinematography
- Professional Jealousy · Cinematography
- Bass Fishing · Director
- Broadway & Union Square, New York · Director
- A Mystic Re-Incarnation · Camera Operator
- Living Pictures · Director
- A Wake in 'Hell's Kitchen' · Cinematography
- How Bridget Made the Fire · Director
- Sherlock Holmes Baffled · Director, Cinematography
- The Troublesome Fly · Director
- The Art of 'Making Up' · Cinematography
- The Chimney Sweep and the Miller · Director