Lorenzo Baraldi
- Art direction
- October 3, 1940 · Parma, Italy
Known for
Filmography
- Red Chairs - Parma and the Cinema · Self
- Trilussa - Storia d'amore e di poesia · Production Design
- Monicelli: La versione di Mario · Self
- Resurrection · Production Design
- The Roses of the Desert · Production Design
- Luisa Sanfelice · Production Design
- Beyond Borders · Production Design
- La guerra è finita · Production Design
- La guerra è finita · Production Design
- Volesse il cielo! · Production Design
- Honolulu Baby · Art Direction
- Rosa and Cornelia · Production Design
- Amore a prima vista · Production Design
- La prima volta · Production Design
- Kisses and Hugs · Production Design
- Frigidaire - Il film · Production Design
- Trenta righe per un delitto · Production Design
- Fable · Production Design
- Snowball · Set Decoration
- Carogne - Ciro and Me · Production Design
- The Postman · Production Design
- Condemned to Be Wed · Production Design
- Condition Critical · Production Design
- Piedipiatti · Production Design
- Suffocating Heat · Production Design
- Tomato · Production Design
- Stray Days · Production Design
- Il lupo di mare · Production Design
- Blue Tango · Production Design
- Joan Lui · Production Design
- The 2 Lives of Mattia Pascal · Production Design
- Bertoldo, Bertoldino, and Cacasenno · Production Design
- My Friends Act II · Production Design
- Grog · Production Design
- I Know That You Know That I Know · Production Design
- The Marquis of Grillo · Production Design
- Hotel Room · Production Design
- Catherine and I · Production Design
- Sunday Lovers · Production Design
- Hurricane Rosie · Production Design
- Lovers and Liars · Production Design
- Where Are You Going on Holiday? · Production Design
- An Average Little Man · Production Design
- Goodnight, Ladies and Gentlemen · Production Design, Costume Design
- Dear Michele · Production Design
- Duck in Orange Sauce · Production Design
- My Friends · Production Design
- Scent of a Woman · Production Design
- Come Home and Meet My Wife · Production Design
- How Funny Can Sex Be? · Production Design
- Tony Arzenta · Production Design
- We Want the Colonels · Production Design
- The Red Queen Kills Seven Times · Costume Design, Production Design
- Continuavano a chiamarli i due piloti più matti del mondo · Production Design, Costume Design
- I due assi del guantone · Production Design
- The Night Evelyn Came Out of the Grave · Costume Design, Art Direction
- The Priest's Wife · Set Decoration
- Operation Snafu · Assistant Production Design
- Police Chief Pepe · Assistant Production Design
- Tepepa · Set Decoration
- One Dollar Too Many · Set Decoration
- Johnny Hamlet · Set Decoration