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Özet
He developed a method of filmmaking that he dubbed “poor-man’s animation,” in which he photographed charcoal drawings and collages as he gradually adjusted them, as in the early films Johannesburg, 2nd Greatest City After Paris (1989) and Monument (1990).
Künye
- William Kentridge
- 11 Temmuz 1985
- Released
- 3 dk
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