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Sinopsis
António Palolo's first films playfully recombine body parts cut out from magazines that Palolo placed in motion with geometrical shapes. These first engagements with the moving image are in a dialogue with Pop, Dada and Surrealism. Recurrent circles appear throughout the films, echoing Marcel Duchamp’s Anemic Cinema (1926).
Ficha técnica
- António Palolo
- 1 de enero de 1969
- Released
- Portugal
- 3 min
Dónde ver
No hay opciones de streaming conocidas (país: España).











