Jeannine Oppewall
- Dirección de arte
- 28 de noviembre de 1946 · Uxbridge, Massachusetts, USA
Biografía
Jeannine Oppewall entered the film industry in the late 1970s after a six-year association with the great design innovators, Charles and Ray Eames. She worked as a set designer (Blue Collar, Blow Out, The Rose, Honky Tonk Freeway) before rising to the position of production designer in 1983 with Tender Mercies, the modestly budgeted ‘slice of life’ film, which brought Robert Duvall an Academy Award. For the next several years, Ms Oppewall designed an impressive variety of motion pictures for a diverse list of directors, many with international credentials. These range from the Russian Andrei Konchalovsky (Maria’s Lovers) and the Brazilian Hector Babenco (Ironweed), to include Costa-Gavras (The Music Box) and Luis Mandoki (White Palace). Other credits include Love Letters, The Big Easy, Rooftops, Wonder Boys and Sibling Rivalry. Other films for which she is known are Seabiscuit (starring Jeff Bridges), Catch Me if You Can (Directed by Steven Spielberg, starring Tom Hanks and Leonardo DiCaprio), The Sum of All Fears (starring Morgan Freeman), and Robert DeNiro’s The Good Shepherd, released at the end of 2006. Claudia has received 4 Oscar Award nominations for her films and received the Los Angeles Film Critics Association Award for Best Production Design, 1998 for Pleasantville. She also won the Art Directors’ Guild’s award for Excellence in Production Design for Catch Me If You Can, and was nominated for 5 others of her films for the same. She served on the Board of Governors of the Academy of Motion Picture Arts and Sciences for 9 years and is currently the co-chairperson of its Museum Committee.
Conocido por
Filmografía
- Aguas profundas · Production Design
- Remembering Reno: Reflections on the Making of Desert Hearts
- El Señor Wakefield · Production Design
- La excepción a la regla · Production Design
- Últimos días en el desierto · Production Design
- La rebelión de las chicas buenas · Production Design
- 5 a 7 · Production Design
- And the Oscar Goes To... · En persona
- Un marido perfecto · Production Design
- La mirada del amor · Production Design
- Casablanca: An Unlikely Classic · En persona
- ¿Cómo sabes si...? · Production Design
- El misterio de Peacock · Production Design
- Whatever You Desire: Making 'L.A. Confidential' · En persona
- Sunlight and Shadow: The Visual Style of 'L.A. Confidential' · En persona
- El incidente · Production Design
- An Old Fashioned Love Story: Making 'The Bridges of Madison County' · En persona
- El buen pastor · Production Design
- The Making of 'Seabiscuit' · En persona
- Seabiscuit, más allá de la leyenda · Production Design
- Catch Me If You Can: Behind the Camera · En persona
- Atrápame si puedes · Production Design
- Waking Up in Reno · Production Design
- Pánico nuclear · Production Design
- Jóvenes prodigiosos · Production Design
- Mientras nieva sobre los cedros · Production Design
- Pleasantville · Production Design
- L.A. Confidential · Production Design
- Ambición peligrosa · Production Design
- Las dos caras de la verdad · Production Design
- Los puentes de Madison · Production Design
- Instinto maternal · Production Design
- Corina, Corina · Production Design
- The Wrong Man · Production Design
- Secuestrada · Production Design
- Private School · Production Design
- Hay un muerto en mi cama · Production Design
- Pasión sin barreras · Production Design
- La caja de música · Set Designer, Production Design
- Animal Behavior · Production Design
- Rooftops · Production Design
- Tallo de hierro · Production Design
- Rock Star · Production Design
- Querido detective · Production Design
- Media hora más contigo · Production Design
- Los amantes de María · Production Design
- Adiós a la inocencia · Set Designer
- Cartas De Amor · Art Direction
- Gracias y favores · Art Direction
- El beso de la pantera · Set Designer
- Impacto · Set Designer
- Blue Collar (Sed de Poder) · Woman with Bicycle (uncredited)