
Jeannine Oppewall
- Szenenbild
- 28. November 1946 · Uxbridge, Massachusetts, USA
Biografie
Jeannine Oppewall entered the film industry in the late 1970s after a six-year association with the great design innovators, Charles and Ray Eames. She worked as a set designer (Blue Collar, Blow Out, The Rose, Honky Tonk Freeway) before rising to the position of production designer in 1983 with Tender Mercies, the modestly budgeted ‘slice of life’ film, which brought Robert Duvall an Academy Award. For the next several years, Ms Oppewall designed an impressive variety of motion pictures for a diverse list of directors, many with international credentials. These range from the Russian Andrei Konchalovsky (Maria’s Lovers) and the Brazilian Hector Babenco (Ironweed), to include Costa-Gavras (The Music Box) and Luis Mandoki (White Palace). Other credits include Love Letters, The Big Easy, Rooftops, Wonder Boys and Sibling Rivalry. Other films for which she is known are Seabiscuit (starring Jeff Bridges), Catch Me if You Can (Directed by Steven Spielberg, starring Tom Hanks and Leonardo DiCaprio), The Sum of All Fears (starring Morgan Freeman), and Robert DeNiro’s The Good Shepherd, released at the end of 2006. Claudia has received 4 Oscar Award nominations for her films and received the Los Angeles Film Critics Association Award for Best Production Design, 1998 for Pleasantville. She also won the Art Directors’ Guild’s award for Excellence in Production Design for Catch Me If You Can, and was nominated for 5 others of her films for the same. She served on the Board of Governors of the Academy of Motion Picture Arts and Sciences for 9 years and is currently the co-chairperson of its Museum Committee.
Bekannt aus
Filmografie
- Tiefe Wasser · Production Design
- Remembering Reno: Reflections on the Making of Desert Hearts
- Wakefield · Production Design
- Regeln spielen keine Rolle · Production Design
- 40 Tage in der Wüste · Production Design
- Good Girls Revolt · Production Design
- Von 5 bis 7 - Eine etwas andere Liebesgeschichte · Production Design
- And the Oscar Goes To... · Selbst
- A Perfect Man · Production Design
- The Face of Love · Production Design
- Casablanca: An Unlikely Classic · Selbst
- Woher weißt Du, dass es Liebe ist? · Production Design
- Peacock · Production Design
- Sunlight and Shadow: The Visual Style of 'L.A. Confidential' · Selbst
- Whatever You Desire: Making 'L.A. Confidential' · Selbst
- The Happening · Production Design
- An Old Fashioned Love Story: Making 'The Bridges of Madison County' · Selbst
- Der gute Hirte · Production Design
- The Making of 'Seabiscuit' · Selbst
- Seabiscuit - Mit dem Willen zum Erfolg · Production Design
- Catch Me If You Can: Behind the Camera · Selbst
- Catch Me If You Can · Production Design
- Waking Up in Reno · Production Design
- Der Anschlag · Production Design
- Die WonderBoys · Production Design
- Schnee, der auf Zedern fällt · Production Design
- Pleasantville - Zu schön, um wahr zu sein · Production Design
- L.A. Confidential · Production Design
- Tödliche Verschwörung · Production Design
- Zwielicht · Production Design
- Die Brücken am Fluss · Production Design
- Die andere Mutter · Production Design
- Corrina, Corrina · Production Design
- Schatten der Leidenschaft · Production Design
- Spurlos · Production Design
- Der Außenseiter · Production Design
- Eine fast anständige Frau · Production Design
- Frühstück bei ihr · Production Design
- Music Box - Die ganze Wahrheit · Set Designer, Production Design
- Animal Behavior · Production Design
- Rooftops - Dächer des Todes · Production Design
- Wolfsmilch · Production Design
- Light of Day - Im Lichte des Tages · Production Design
- The Big Easy - Der große Leichtsinn · Production Design
- Desert Hearts · Production Design
- Maria's Lovers · Production Design
- Die Zeit verrinnt - Die Navy ruft · Set Designer
- Love Letters · Art Direction
- Comeback der Liebe · Art Direction
- Katzenmenschen · Set Designer
- Blow Out - Der Tod löscht alle Spuren · Set Designer
- Blue Collar - Kampf am Fließband · Woman with Bicycle (uncredited)











