Manoel de Oliveira
- Regie
- 11. Dezember 1908 · Porto, Portugal
- 2. April 2015
Biografie
Manoel de Oliveira (11 December 1908 - 2 April 2015) was born in Porto, Portugal to Francisco José de Oliveira and Cândida Ferreira Pinto. His family were wealthy industrialists. Oliveira attended school in Galicia, Spain and his goal as a teenager was to become an actor. He enrolled in Italian film-maker Rino Lupo's acting school at age 20, but later changed his mind when he saw Walther Ruttmann's documentary Berlin: Symphony of a City. This prompted him to direct his first film, also a documentary, titledDouro, Faina Fluvial (1931). He also acted in the second Portuguese sound film, A Canção de Lisboa (1933). His first feature film came much later, in 1942. Aniki-Bóbó, a portrait of Oporto's street children, was a commercial failure when it opened, and its merit only came to be recognised over time. This drawback forced Oliveira to abandon other film projects he was involved in, and to dedicate himself to running his family vineyard. He re-emerged onto the film scene in 1956 with The Artist and the City, a work that marked a turning point in Oliveira's conception of the cinema. In 1963, O Acto de Primavera (The Rite of Spring), a documentary depicting an annual passion play, marked a turning point for his career. This was shortly followed by A caça (The Hunt), a grim feature film that contrasted with the happy tones of his previous documentary. Despite the widespread acclaim garnered by both films, he would not return to the director's seat until the 1970s. Since 1990 (when he turned 82), he has made at least one film each year. Oliveira has said that he direct movies for the sheer pleasure of doing it, regardless of critical reaction. He maintains a quiet life away from the spotlights, despite multiple honours such as those of the Cannes, Venice and Montreal film festivals. He has been awarded two Career Golden Lions in 1985 and 2004 and a golden palm for his lifetime achievements in 2008.
Bekannt aus
Filmografie
- A Vida dos Espelhos
- Jornal Português (1938-1951) · Selbst
- A Glória de Fazer Cinema em Portugal · Selbst
- 1 Século de Energia · Regie, Kamera
- Visita ou Memórias e Confissões · Selbst, Regie
- O Velho do Restelo · Regie, Drehbuch
- Chafariz das Virtudes · Regie
- Henri Langlois vu par... · Selbst
- Biette · Selbst
- Mundo Invisível · Regie, Buch
- Centro Histórico · Regie, Drehbuch
- O Conquistador Conquistado · Regie, Drehbuch
- Gebo et l'ombre · Regie, Drehbuch
- 101
- Agnès de ci de là Varda · Selbst
- Agnès de ci de là Varda · Selbst
- HH, Hitler à Hollywood
- Guest · Selbst
- Sem Cura - à saúde de Manoel de Oliveira
- O Estranho Caso de Angélica · Regie, Buch
- Painéis de São Vicente de Fora: Visão Poética · Regie, Drehbuch
- Die Eigenheiten einer jungen Blondine · Regie, Drehbuch
- O Poeta Doido, o Vitral e a Santa Morta · Produktion, Kamera
- Romance de Vila do Conde · Regie, Drehbuch
- Manoel de Oliveira, O Caso Dele · Selbst
- Jedem sein Kino · Regie, Buch
- A 15ª Pedra · Selbst
- Christoph Kolumbus - Das Rätsel · Manuel Luciano (2007), Regie
- Rencontre Unique · Regie, Drehbuch
- Belle Toujours · Regie, Buch
- O Improvável Não é Impossível · Stimme, Regie
- No Tempo do Cinema · Selbst
- Espelho Mágico · Regie, Buch
- Conversazione a Porto
- Do Visível ao Invísivel · Drehbuch, Schnitt
- O Quinto Império - Ontem Como Hoje · Regie, Drehbuch
- Reise nach Bombay · Regie, Buch
- Agostinho da Silva - Um Pensamento Vivo · Selbst
- O Princípio da Incerteza · Regie, Drehbuch
- Momento · Regie
- Porto da Minha Infância · Himself / Narrator / The Thief, Regie
- Ich geh’ nach Hause · Regie, Drehbuch
- História do Cinema Português
- Palavra e Utopia · Regie, Buch
- Der Brief · Regie, Drehbuch
- Inquietude · Tango Dancer, Regie
- Marcello Mastroianni - Mi ricordo, sì, io mi ricordo · Selbst
- Reise an den Anfang der Welt · Driver, Regie
- En une poignée de mains amies · Regie, Drehbuch
- Party · Regie, Drehbuch
- O Convento · Regie, Buch
- Lisbon Story · Selbst
- Die Büchse des Bettlers · Regie, Adaptation
- Zona+ · Próprio
- Oliveira, l'architecte
- Am Ufer des Flusses · Regie, Drehbuch
- O Dia do Desespero · Regie, Drehbuch
- Die göttliche Komödie · Buch, Drehbuch
- Non, ou a Vã Glória de Mandar · Narrator, Regie
- Cinéma Portugais – Un Mode d'Emploi
- A Propósito da Bandeira Nacional · Produktion, Regie
- Os Canibais · Regie, Drehbuch
- Já Está · Selbst
- Mein Fall · Regie, Drehbuch
- Simpósio Internacional de Escultura em Pedra · Regie
- Le Soulier de satin · Gentleman bowing with hat, Regie
- Lisboa Cultural · Schnitt, Regie
- Nice - À propos de Jean Vigo · Regie
- Conversa Acabada · Padre
- Francisca · Regie, Drehbuch
- Cinématon XI · N°102
- Cinématon n°102 : Manoel de Oliveira
- Amor de Perdição · Narrator (Stimme), Regie
- Cinématon · N°102
- Amor de Perdição · Stimme, Buch
- Ciné regards · Selbst
- Benilde ou a Virgem Mãe · Screaming Madman (Stimme), Drehbuch
- O Passado e o Presente · Regie, Drehbuch
- As Pinturas do Meu Irmão Júlio · Regie, Drehbuch
- Villa Verdinho - Uma Aldeia Transmontana · Regie