Andrea Crisanti
- Szenenbild
- 2. Juni 1936 · Rome, Lazio, Italy
- 7. Mai 2012
Biografie
Andrea Crisanti (12 June 1936, in Rome – 7 May 2012) was an Italian production designer and art director. Crisanti studied art at the Academy of Fine Arts in Rome. He began his film career as assistant set designer to Mario Garbuglia by working on the set of The Great War (1959) with Mario Monicelli. His independent debut came with Maciste in Hell (1962) by Riccardo Freda. In 1970, Crisanti met Francesco Rosi, which proved crucial to the success of his career. He later worked on Cinema Paradiso (1988) and A Pure Formality (1994) by Giuseppe Tornatore, which won a David di Donatello Award. Sicily was one of his favourite places, and he recalled the pomp of the 17-century Bourbon period for the set of The Council of Egypt (2002) by Emidio Greco. Crisanti worked on Michelangelo Antonioni's Identification of a Woman (1982), Franzo Zeffirelli's Young Toscanini (1988), Gianni Amelio's The Stolen Children (1992), and Andrei Tarkovsky's Nostalghia (1983). He taught art at Rome's Experimental Cinematography Centre from 1995 until his death, and was president of A.S.C., the Set and Costume Designers Association. Source: Article "Andrea Crisanti" from Wikipedia in English, licensed under CC-BY-SA 3.0.
Bekannt aus
Filmografie
- Nu de femmes · Selbst
- Il Volto Di Un Altra · Production Design, Set Decoration
- Magnifica presenza · Production Design
- Männer al dente · Production Design
- Il sangue dei vinti · Production Design, Set Decoration
- La Contessa di Castiglione · Art Designer
- Ma l'amore... sì! · Production Design
- Eiskalt · Production Design
- Face Addict · Production Design
- Fratella e Sorello · Art Direction
- Sacred Heart · Set Decoration
- Preis des Verlangens · Production Design
- Detective per caso · Production Design
- L'avvocato de Gregorio · Production Design
- Das Fenster Gegenüber · Art Direction
- Il consiglio d'Egitto · Production Design
- The Emperor's New Clothes · Production Design
- Vipera · Production Design
- Falcone - Im Fadenkreuz der Mafia · Production Design
- Non lasciamoci più · Scenic Artist
- La tregua · Production Design
- Colpo di luna · Production Design
- Eine reine Formalität · Production Design
- Les hirondelles ne meurent pas à Jerusalem · Production Design
- Gestohlene Kinder · Set Decoration
- Allen geht's gut · Production Design
- Palermo vergessen · Production Design, Set Decoration
- Cinema Paradiso · Production Design
- Chronik eines angekündigten Todes · Production Design, Set Decoration
- Teufel im Leib · Production Design
- Andreij Tarkovskij in Nostalghia · Selbst
- Nostalghia · Production Design
- No grazie, il caffè mi rende nervoso · Production Design
- Identifikation einer Frau · Production Design
- Più bello di così si muore · Production Design
- Borotalco · Production Design
- Miracoloni · Production Design
- Prima che sia troppo presto · Production Design
- Drei Brüder · Production Design
- Vita di Antonio Gramsci · Production Design
- Tödliche Warnung · Art Direction
- Double für Maurice · Production Design
- Der Sprung ins Leere · Production Design
- Christus kam nur bis Eboli · Production Design
- Tre tigri contro tre tigri · Production Design
- Der Supertyp · Production Design
- Robinson Jr. · Production Design
- Der Bluffer · Production Design
- Die Macht und ihr Preis · Production Design
- Das Urteil – Prozeß im Schnellverfahren · Production Design, Interior Designer
- Lucky Luciano · Production Design
- Der Fall Mattei · Production Design
- Todesmelodie · Art Direction
- Vier Mal heute Nacht · Production Design
- Incontro d'amore · Production Design, Costume Designer
- Bataillon der Verlorenen · Production Design
- I due Crociati · Production Design
- Brutti di notte · Production Design
- I sette fratelli Cervi · Production Design
- Spara forte, più forte, non capisco · Assistant Production Design
- Gestern, heute und morgen · Assistant Set Decoration
- Die vier Tage von Neapel · Assistant Production Design
- Maciste, der Rächer der Verdammten · Art Direction











